Keller and Burdovsky looked wonderfully correct in their dress-coats and white kid gloves, although Keller caused the bridegroom some alarm by his undisguisedly hostile glances at the gathering crowd of sight-seers outside.
“Why, did you say--” began the prince, and paused in confusion.
He longed to solve the mystery of something in the face of Nastasia Philipovna, something which had struck him as he looked at the portrait for the first time; the impression had not left him. It was partly the fact of her marvellous beauty that struck him, and partly something else. There was a suggestion of immense pride and disdain in the face almost of hatred, and at the same time something confiding and very full of simplicity. The contrast aroused a deep sympathy in his heart as he looked at the lovely face. The blinding loveliness of it was almost intolerable, this pale thin face with its flaming eyes; it was a strange beauty.
“I should think it would be very foolish indeed, unless it happened to come in appropriately.”
“And why did you tell us this?”
The prince, when he heard the story afterwards, felt that he had never yet come across so wonderful a humorist, or such remarkable brilliancy as was shown by this man; and yet if he had only known it, this story was the oldest, stalest, and most worn-out yarn, and every drawing-room in town was sick to death of it. It was only in the innocent Epanchin household that it passed for a new and brilliant tale--as a sudden and striking reminiscence of a splendid and talented man.
| “Evgenie Pavlovitch,” he said, with strange excitement and seizing the latter’s hand in his own, “be assured that I esteem you as a generous and honourable man, in spite of everything. Be assured of that.” |
| “Only because I seem to be giving you a lecture, all the time!” |
“Oh, of course, yes; he would have come and wept out his secret on your bosom. Oh, you simpleton--you simpleton! Anyone can deceive you and take you in like a--like a,--aren’t you ashamed to trust him? Can’t you see that he humbugs you just as much as ever he pleases?”
Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next.
The prince had been listening attentively to Radomski’s words, and thought his manner very pleasant. When Colia chaffed him about his waggonette he had replied with perfect equality and in a friendly fashion. This pleased Muishkin.
“I’ll just tell you one fact, ladies and gentlemen,” continued the latter, with apparent seriousness and even exaltation of manner, but with a suggestion of “chaff” behind every word, as though he were laughing in his sleeve at his own nonsense--“a fact, the discovery of which, I believe, I may claim to have made by myself alone. At all events, no other has ever said or written a word about it; and in this fact is expressed the whole essence of Russian liberalism of the sort which I am now considering.
“About the hedgehog.”
“I suppose that was it; I cannot explain it otherwise.”
| However, the invalid--to his immense satisfaction--ended by seriously alarming the prince. |
Aglaya looked menacingly at her laughing sisters, but could not contain herself any longer, and the next minute she too had burst into an irrepressible, and almost hysterical, fit of mirth. At length she jumped up, and ran out of the room.
“He may not be home for a week.”
“Never mind!” she laughed, “but why didn’t you come earlier? Perhaps you were expected!”
“There is too much about myself, I know, but--” As Hippolyte said this his face wore a tired, pained look, and he wiped the sweat off his brow.
“What Osterman?” asked the prince in some surprise.
| Here he rose again from his chair, so that it seemed strange that he should have thought it worth while to sit down at all. |
“Oh, but he didn’t kill himself; the pistol didn’t go off.” Aglaya insisted on hearing the whole story. She hurried the prince along, but interrupted him with all sorts of questions, nearly all of which were irrelevant. Among other things, she seemed greatly interested in every word that Evgenie Pavlovitch had said, and made the prince repeat that part of the story over and over again.
| Muishkin himself came in very timidly. He seemed to feel his way, and looked in each person’s eyes in a questioning way,--for Aglaya was absent, which fact alarmed him at once. |
| “You see,” he said, “I was given to understand that Ferdishenko was that sort of man,--that one can’t say everything before him. One has to take care not to say too much, you understand? I say this to prove that he really is, so to speak, more likely to have done this than anyone else, eh? You understand? The important thing is, not to make a mistake.” |
“As for your face, Lizabetha Prokofievna, I not only think, but am perfectly _sure_, that you are an absolute child--in all, in all, mind, both good and bad--and in spite of your years. Don’t be angry with me for saying so; you know what my feelings for children are. And do not suppose that I am so candid out of pure simplicity of soul. Oh dear no, it is by no means the case! Perhaps I have my own very profound object in view.”
“He won’t shoot himself; the boy is only playing the fool,” said General Ivolgin, suddenly and unexpectedly, with indignation.
He meant to calm his hearers, and did not perceive that his words had only increased their irritation.
| “Come then. You know, I suppose, that you must escort me there? You are well enough to go out, aren’t you?” |
The presence of certain of those in the room surprised the prince vastly, but the guest whose advent filled him with the greatest wonder--almost amounting to alarm--was Evgenie Pavlovitch. The prince could not believe his eyes when he beheld the latter, and could not help thinking that something was wrong.
“Especially as you know all, eh?”
“Ah! here he is, the Judas!” cried a voice which the prince recognized at once. “How d’ye do, Gania, you old blackguard?”
“No, it’s not a thing for women.”
Gavrila Ardalionovitch nodded to the prince and entered the room hastily.
Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time.
“I dare say he only took his hat off out of fear, as it were, to the son of his creditor; for he always owed my mother money. I thought of having an explanation with him, but I knew that if I did, he would begin to apologize in a minute or two, so I decided to let him alone.
Mrs. Epanchin reflected a moment. The next minute she flew at the prince, seized his hand, and dragged him after her to the door.
| “Oh! that’s it, is it!” he yelled. “She throws my letters out of the window, does she! Oh! and she does not condescend to bargain, while I _do_, eh? We shall see, we shall see! I shall pay her out for this.” |
| “He was impaled on a stake in the time of Peter.” |
“How has he changed for the better?” asked Mrs. Epanchin. “I don’t see any change for the better! What’s better in him? Where did you get _that_ idea from? _What’s_ better?”
“No; of course not.”
| “Isn’t there something else, prince? I heard yesterday, but I have no right to talk about this... If you ever want a true friend and servant--neither you nor I are so very happy, are we?--come to me. I won’t ask you questions, though.” |
“No, at his mother’s flat; I rang at Parfen Semionovitch’s door and nobody came.”
“You got that from some magazine, Colia,” remarked Adelaida.
“Here you are,” said Lebedeff, handing him one; he thought the boy had gone mad.
Burdovsky alone sat silent and motionless.
Muishkin, who was but a couple of steps away, had time to spring forward and seize the officer’s arms from behind.
“As for you, sir,” he cried, “you should at least remember that you are in a strange house and--receiving hospitality; you should not take the opportunity of tormenting an old man, sir, who is too evidently out of his mind.”
“Vera Lukianovna,” said Hippolyte, “toss it, will you? Heads, I read, tails, I don’t.”
| “Do you hear, prince?” said Nastasia Philipovna. “Do you hear how this moujik of a fellow goes on bargaining for your bride?” |
“Screw!” laughed Hippolyte.
“Are you about to take a wife? I ask,--if you prefer that expression.”
| This invitation to drink, couched, as it was, in such informal terms, came very strangely from Nastasia Philipovna. Her usual entertainments were not quite like this; there was more style about them. However, the wine was not refused; each guest took a glass excepting Gania, who drank nothing. |
| “Did I ever expect to find happiness with Aglaya?” |
| “What are you thinking of? Don’t go, he’ll blow his brains out in a minute!” cried Vera Lebedeff, rushing up to Hippolyte and catching hold of his hands in a torment of alarm. “What are you thinking of? He said he would blow his brains out at sunrise.” |
| Burdovsky silently resumed his seat, and bent his head as though in profound thought. His friend, Lebedeff’s nephew, who had risen to accompany him, also sat down again. He seemed much disappointed, though as self-confident as ever. Hippolyte looked dejected and sulky, as well as surprised. He had just been attacked by a violent fit of coughing, so that his handkerchief was stained with blood. The boxer looked thoroughly frightened. |
| “How strangely you speak, and how odd you look!” said the other, involuntarily. |
| “Impossible?” cried Keller, almost pityingly. “Oh prince, how little you really seem to understand human nature!” |
“No, they did not cure me.”
When--late in the evening--the prince made his appearance in Lizabetha Prokofievna’s drawing-room, he found it full of guests. Mrs. Epanchin questioned him very fully about the general as soon as he appeared; and when old Princess Bielokonski wished to know “who this general was, and who was Nina Alexandrovna,” she proceeded to explain in a manner which pleased the prince very much.
| Suddenly Hippolyte arose. His face, shockingly pale, was that of a man overwhelmed with shame and despair. This was shown chiefly in the look of fear and hatred which he cast upon the assembled company, and in the wild smile upon his trembling lips. Then he cast down his eyes, and with the same smile, staggered towards Burdovsky and Doktorenko, who stood at the entrance to the verandah. He had decided to go with them. |
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
| “Well, just now you said there were no honest nor good people about, that there were only money-grubbers--and here they are quite close at hand, these honest and good people, your mother and Varia! I think there is a good deal of moral strength in helping people in such circumstances.” |
“No, A. N. D.,” corrected Colia.
“General, you must take your pearls back, too--give them to your wife--here they are! Tomorrow I shall leave this flat altogether, and then there’ll be no more of these pleasant little social gatherings, ladies and gentlemen.”
“The letter is not sealed--” continued Gania, and paused in confusion.
“Perhaps I do; but tell me yourself,” said Nastasia Philipovna, quietly.
The sisters, who also appeared to be in high spirits, never tired of glancing at Aglaya and the prince, who were walking in front. It was evident that their younger sister was a thorough puzzle to them both.
“What do you know about it?” cried the latter. “Well, my father learned the whole story at once, and Zaleshoff blabbed it all over the town besides. So he took me upstairs and locked me up, and swore at me for an hour. ‘This is only a foretaste,’ says he; ‘wait a bit till night comes, and I’ll come back and talk to you again.’
“Allow me, gentlemen,” said Gavrila Ardalionovitch, who had just examined the contents of the envelope, “there are only a hundred roubles here, not two hundred and fifty. I point this out, prince, to prevent misunderstanding.”
The president joined in the general outcry.
“A little while ago a very amusing idea struck me. What if I were now to commit some terrible crime--murder ten fellow-creatures, for instance, or anything else that is thought most shocking and dreadful in this world--what a dilemma my judges would be in, with a criminal who only has a fortnight to live in any case, now that the rack and other forms of torture are abolished! Why, I should die comfortably in their own hospital--in a warm, clean room, with an attentive doctor--probably much more comfortably than I should at home.
Even the German poet, though as amiable as possible, felt that he was doing the house the greatest of honours by his presence in it.
| “Early?” said Lebedeff, sarcastically. “Time counts for nothing, even in physical chastisement; but my slap in the face was not physical, it was moral.” |