“Very well, but even if we admit that he _was_ alive in 1812, can one believe that a French chasseur pointed a cannon at him for a lark, and shot his left leg off? He says he picked his own leg up and took it away and buried it in the cemetery. He swore he had a stone put up over it with the inscription: ‘Here lies the leg of Collegiate Secretary Lebedeff,’ and on the other side, ‘Rest, beloved ashes, till the morn of joy,’ and that he has a service read over it every year (which is simply sacrilege), and goes to Moscow once a year on purpose. He invites me to Moscow in order to prove his assertion, and show me his leg’s tomb, and the very cannon that shot him; he says it’s the eleventh from the gate of the Kremlin, an old-fashioned falconet taken from the French afterwards.”

“My dear sir, a man of such noble aspirations is worthy of all esteem by virtue of those aspirations alone.”

A couple of days later, however, Hippolyte’s mother came with tears in her eyes, and begged the prince to come back, “or _he_ would eat her up bodily.” She added that Hippolyte had a great secret to disclose. Of course the prince went. There was no secret, however, unless we reckon certain pantings and agitated glances around (probably all put on) as the invalid begged his visitor to “beware of Rogojin.”

“Oh, not cold--believe an old man--not from a cold, but from grief for her prince. Oh--your mother, your mother! heigh-ho! Youth--youth! Your father and I--old friends as we were--nearly murdered each other for her sake.”

“And if you had known that I was coming today, why be so irritated about it?” he asked, in quiet surprise.
Hippolyte turned upon him, a prey to maniacal rage, which set all the muscles of his face quivering.

“Of course, of course! How was it?”

“Having now shown you that I am not quite such a fool as I look, and that I have to be fished for with a rod and line for a good long while before I am caught, I will proceed to explain why I specially wished to make your brother look a fool. That my motive power is hate, I do not attempt to conceal. I have felt that before dying (and I am dying, however much fatter I may appear to you), I must absolutely make a fool of, at least, one of that class of men which has dogged me all my life, which I hate so cordially, and which is so prominently represented by your much esteemed brother. I should not enjoy paradise nearly so much without having done this first. I hate you, Gavrila Ardalionovitch, solely (this may seem curious to you, but I repeat)--solely because you are the type, and incarnation, and head, and crown of the most impudent, the most self-satisfied, the most vulgar and detestable form of commonplaceness. You are ordinary of the ordinary; you have no chance of ever fathering the pettiest idea of your own. And yet you are as jealous and conceited as you can possibly be; you consider yourself a great genius; of this you are persuaded, although there are dark moments of doubt and rage, when even this fact seems uncertain. There are spots of darkness on your horizon, though they will disappear when you become completely stupid. But a long and chequered path lies before you, and of this I am glad. In the first place you will never gain a certain person.”
“Formerly, when I was seven years old or so. I believe I wore one; but now I usually hold my napkin on my knee when I eat.”

All present concentrated their attention upon Ptitsin, reading the prince’s letter. The general curiosity had received a new fillip. Ferdishenko could not sit still. Rogojin fixed his eyes first on the prince, and then on Ptitsin, and then back again; he was extremely agitated. Lebedeff could not stand it. He crept up and read over Ptitsin’s shoulder, with the air of a naughty boy who expects a box on the ear every moment for his indiscretion.

Ferdishenko led the general up to Nastasia Philipovna.

Lebedeff had his desire. He went off with the noisy group of Rogojin’s friends towards the Voznesensky, while the prince’s route lay towards the Litaynaya. It was damp and wet. The prince asked his way of passers-by, and finding that he was a couple of miles or so from his destination, he determined to take a droshky.

“Now tell us about your love affairs,” said Adelaida, after a moment’s pause.
“Oh! I _know_ you haven’t read it, and that you could never be that man’s accomplice. Read it, I wish you to read it.” Suddenly she looked around, shuddered, gave a loud cry, and threw herself in the prince’s arms. “I had a note,” said the prince.
“Not a bit of it; it was a duel to the death, and he was killed.”
“Ah, yes. Well, did you read it, general? It’s curious, isn’t it?” said the prince, delighted to be able to open up conversation upon an outside subject.
“That’s me, I suppose. I’m the shameless creature!” cried Nastasia Philipovna, with amused indifference. “Dear me, and I came--like a fool, as I am--to invite them over to my house for the evening! Look how your sister treats me, Gavrila Ardalionovitch.”

Ivan Fedorovitch turned from the boxer with a gesture of despair.

“Half-past twelve. We are always in bed by one.”

But he, perhaps, did not understand the full force of this challenge; in fact, it is certain he did not. All he could see was the poor despairing face which, as he had said to Aglaya, “had pierced his heart for ever.”

“I only had a small bundle, containing linen, with me, nothing more. I can carry it in my hand, easily. There will be plenty of time to take a room in some hotel by the evening.”

“I have waited for you with the greatest impatience (not that you were worth it). Every night I have drenched my pillow with tears, not for you, my friend, not for you, don’t flatter yourself! I have my own grief, always the same, always the same. But I’ll tell you why I have been awaiting you so impatiently, because I believe that Providence itself sent you to be a friend and a brother to me. I haven’t a friend in the world except Princess Bielokonski, and she is growing as stupid as a sheep from old age. Now then, tell me, yes or no? Do you know why she called out from her carriage the other night?” As to the few words which the general had let slip about Aglaya laughing at everybody, and at himself most of all--he entirely believed them. He did not feel the slightest sensation of offence; on the contrary, he was quite certain that it was as it should be.
There was another witness, who, though standing at the door motionless and bewildered himself, still managed to remark Gania’s death-like pallor, and the dreadful change that had come over his face. This witness was the prince, who now advanced in alarm and muttered to Gania:
He could not believe that this was the same haughty young girl who had once so proudly shown him Gania’s letter. He could not understand how that proud and austere beauty could show herself to be such an utter child--a child who probably did not even now understand some words.
Evgenie Pavlovitch stood on the steps like one struck by lightning. Mrs. Epanchin stood still too, but not with the petrified expression of Evgenie. She gazed haughtily at the audacious person who had addressed her companion, and then turned a look of astonishment upon Evgenie himself.
In the first place, this new woman understood a good deal more than was usual for young people of her age; so much indeed, that Totski could not help wondering where she had picked up her knowledge. Surely not from her “young lady’s library”? It even embraced legal matters, and the “world” in general, to a considerable extent.
“Yes, of course, she did say something!”
“Thank you; I am glad to be like mamma,” she said, thoughtfully. “You respect her very much, don’t you?” she added, quite unconscious of the naiveness of the question.
“Oh, you shall tell us about the Basle picture another time; now we must have all about the execution,” said Adelaida. “Tell us about that face as it appeared to your imagination--how should it be drawn?--just the face alone, do you mean?”
“Capital! And your handwriting?”
“At all events, I shall not interfere with you!” he murmured, as though making answer to some secret thought of his own. “As the true friend of your father, I wish to say a few words to you,” he began. “I have suffered--there was a catastrophe. I suffered without a trial; I had no trial. Nina Alexandrovna my wife, is an excellent woman, so is my daughter Varvara. We have to let lodgings because we are poor--a dreadful, unheard-of come-down for us--for me, who should have been a governor-general; but we are very glad to have _you_, at all events. Meanwhile there is a tragedy in the house.”
He explained about himself in a few words, very much the same as he had told the footman and Rogojin beforehand.

We have seen, however, that the general paid a visit to Lizabetha Prokofievna and caused trouble there, the final upshot being that he frightened Mrs. Epanchin, and angered her by bitter hints as to his son Gania.

“Thank you, general; you have behaved very kindly to me; all the more so since I did not ask you to help me. I don’t say that out of pride. I certainly did not know where to lay my head tonight. Rogojin asked me to come to his house, of course, but--”

“Is that true?” said the prince impatiently.
The prince thought, too, that he looked vexed and annoyed, and not nearly so friendly towards himself as he had been earlier in the night.
“I will not accept ten thousand roubles,” said Burdovsky.
“What, you here too, prince?” said Rogojin, absently, but a little surprised all the same “Still in your gaiters, eh?” He sighed, and forgot the prince next moment, and his wild eyes wandered over to Nastasia again, as though attracted in that direction by some magnetic force.
“Of course he never existed!” Gania interrupted.

“I think you might fairly remember that I was not in any way bound, I had no reason to be silent about that portrait. You never asked me not to mention it.”

“So this is Nastasia Philipovna,” he said, looking attentively and curiously at the portrait. “How wonderfully beautiful!” he immediately added, with warmth. The picture was certainly that of an unusually lovely woman. She was photographed in a black silk dress of simple design, her hair was evidently dark and plainly arranged, her eyes were deep and thoughtful, the expression of her face passionate, but proud. She was rather thin, perhaps, and a little pale. Both Gania and the general gazed at the prince in amazement.

Suddenly he became aware that General Epanchin was tapping him on the shoulder; Ivan Petrovitch was laughing too, but still more kind and sympathizing was the old dignitary. He took the prince by the hand and pressed it warmly; then he patted it, and quietly urged him to recollect himself--speaking to him exactly as he would have spoken to a little frightened child, which pleased the prince wonderfully; and next seated him beside himself.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“But--but, why is this? What does it mean?”
Parfen was silent. With sad surprise the prince observed that the look of distrust, the bitter, ironical smile, had still not altogether left his newly-adopted brother’s face. At moments, at all events, it showed itself but too plainly, “Oh, no; I love her with all my soul. Why, she is a child! She’s a child now--a real child. Oh! you know nothing about it at all, I see.”
He had not said a word yet; he sat silent and listened to Evgenie Pavlovitch’s eloquence. The latter had never appeared so happy and excited as on this evening. The prince listened to him, but for a long time did not take in a word he said.
“Gania, don’t be a fool! I tell you for the last time.”
Hippolyte glanced at him suddenly, and when their eyes met Rogojin showed his teeth in a disagreeable smile, and said the following strange words: “That’s not the way to settle this business, my friend; that’s not the way at all.”

“Ah!” cried Hippolyte, turning towards Evgenie Pavlovitch, and looking at him with a queer sort of curiosity.

“No, no--prince, not now! Now is a dream! And it is too, too important! It is to be the hour of Fate to me--_my own_ hour. Our interview is not to be broken in upon by every chance comer, every impertinent guest--and there are plenty of such stupid, impertinent fellows”--(he bent over and whispered mysteriously, with a funny, frightened look on his face)--“who are unworthy to tie your shoe, prince. I don’t say _mine_, mind--you will understand me, prince. Only _you_ understand me, prince--no one else. _He_ doesn’t understand me, he is absolutely--_absolutely_ unable to sympathize. The first qualification for understanding another is Heart.”